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Artistic Directors Coalition for Ballet in America |
In June 2020, The International Association of Blacks in Dance launched its I Said, Can You Hear Me Now campaign, in response to the many solidarity letters and statements that were being issued by the White American Dance Community. The dance industry is not immune to racism and white supremacy culture, and Ballet in particular has glorified and upheld the notion of Black bodies being inferior and White bodies being superior in this field, for a very long time. Arthur Mitchell countered that proclamation with the founding of Dance Theatre of Harlem. The Black body is exquisite and beautiful. Period. Many in our field have risked death and arrest for simply touring with a company in the South during a period when it was illegal for Black and White dancers to share the stage. Friends, what WE can no longer do is be on the sidelines and silently stand by and watch. This type of silence is deadly. It must be fixed through SYSTEMS CHANGE. And so here we are. In response, a group of leaders in the classical ballet and dance fields assembled to discuss and address how they could affect change. They have turned the lens on themselves and their organizations to evaluate their practices and
policies, to brainstorm and share, and to listen and learn from one another. With a renewed commitment the Artistic Directors Coalition for Ballet in America proclaim: “What became clear was that our art form, born of imperial courts of Europe, is in need of an overhaul if it is to move further into the 21st Century. We come together as a collective to initiate change and to foster greater trust in
how our organizations are run. The exquisite beauty of ballet must be relevant if we are to survive. This will require a vision that is more inclusive, that is capable of acknowledging and respective of the diversity of human culture. This
group of artistic leaders are all committed to building broader diversity and greater equity. And as we work in our own organizations to address any inequities, we agree that a first step is to open opportunities at the educational level. Our mission
is to foster trust in our organizations and embrace a broader vision of cultural inclusion in classical ballet.” The companies and artists in this group have agreed to an initial step designed to create equal access and opportunity for all young artists, and where aspiring young artists of all colors and race feel welcomed into the art form. Participation, collaboration and involvement by all will shape and define the ballet of the future. With this commitment to the future of our art form, they are unveiling their first collective pilot program. Each will devise a unique program that will create access for more young artists of color to participate in America’s classical ballet and contemporary dance companies as well as provide young artists free online experiences with the companies. The dance companies will create a two-hour virtual visit that will be specifically designed by each individual company to best represent their vision, culture, artistic philosophy and to get a sense of the community they create at their companies. The two-hour virtual experience may include:
To learn more and participate, please click on the dance companies name below:
Photos by: Bill Hebert; Scott Robbins, Geek With a Lens |
1/22/2025 » 1/26/2025
35th Annual International Conference and Festival of Blacks in Dance