Denise Saunders Thompson, President and CEO (firstname.lastname@example.org), has extensive experience in non-profit and for-profit, established or start-up organizations. She has advised organizations on administrative, programmatic and fundraising issues including strategic plans, policy and procedures, communications programs, budgeting and contracts. Currently, Denise is the President and Chief Executive Officer for the International Association of Blacks in Dance, a non-profit service organization and D.d.Saunders & Associates, Inc., a comprehensive fine arts advisory firm offering artist management/ representation, arts producing, consulting, and production services. She recently held the position of Professorial Lecturer at American University in the Graduate Arts Management Degree Program. In April 2015, Denise completed 17 years of service at Howard University in the capacities of Professor, Theatre Manager/ Producing Artistic Director for the Department of Theatre Arts and Manager of Cramton Auditorium. She is Co-Founder of PlayRight Performing Arts Center, Inc., a non-profit arts organization in Atlanta, Georgia, and former Business Manager for The Malone Group, Inc. a non-profit arts organization in Washington, D.C. that co-produced Black Nativity at The John F. Kennedy Center for the Performing Arts for six years. Denise currently serves on the Board of Trustees for Dance/USA and Friends of Theatre and Dance at Howard University, is a member of Actors Equity Association (AEA), and Women of Color in the Arts (WOCA).
Freelancing in the Washington, D.C. metropolitan area and across the nation in production and arts management, Mrs. Thompson has held positions at The John F. Kennedy Center for the Performing Arts, Debbie Allen Dance Academy, Alliance Theatre Company, National Black Arts Festival, 1996 Olympic Arts Festival, 1996 Olympics, Lincoln Theatre, Several Dancers Core, the Atlanta Dance Initiative, the Mark Taper Forum, the Shakespeare Theatre at the Folger, Harrah’s Marina Hotel Casino as well as other numerous positions. In addition, she is a grant recipient of the National Endowment for the Arts, Smithsonian Institution National Museum of African Art, DC Commission on the Arts and Humanities, and the St. Paul Companies. She holds an M.F.A. from the University of California, Los Angeles in Arts Producing and Management, and a B.F.A. from Howard University in Theatre Arts Administration.
Omar Ingram, Programs Director (email@example.com), originally from Atlanta, Georgia, serves in the capacity of Special Assistant, Programs for the International Association of Blacks in Dance (IABD). Most recently, he was the General Management Assistant at the Tony-Award winning Public Theater in New York City. Since 2012, he has worked extensively with IABD’s Annual International Conference and Festival of Blacks in Dance and The Pink Frog Foundation Benefit as Production Manager. In addition, his professional work has ranged from production stage manager to executive assistant working for premier artists such as Debbie Allen, Phylicia Rashad, and George Faison. Omar is a graduate of Howard University with a BFA in Musical Theater, and minor in Arts Administration. When he is not working, he enjoys exploring new countries, beaches and cooking.
Nathea Lee, Development Director (firstname.lastname@example.org) is a creative, multifaceted nonprofit professional. Her areas of expertise include fundraising, communications, project management and organizational development. Originally from Washington, DC, Nathea began her career there at public radio station WPFW-FM, where she helped launch its 10th anniversary public awareness campaign, managed fundraising drives and helped produce jazz festivals and special events. Nathea has several "firsts" in her résumé, including: first Executive Director of the U Street Theatre Foundation (1994), which was established to operate Washington’s historic Lincoln Theatre; first director of ValleyArts (2006), then a nascent arts district in Orange, NJ; and first Managing Director of Philadelphia's Kùlú Mèlé African Dance and Drum Ensemble (2009). She also served as Deputy Director at Aljira, A Center for Contemporary Art in Newark, NJ and Managing Partner at Urban Bush Women in Brooklyn, NY. Nathea has served as a grant reviewer for the Pennsylvania Council on the Arts, Robert Rauschenberg Foundation, Philadelphia Cultural Fund, and New York City Department of Cultural Affairs. She holds a certificate in nonprofit leadership from Bryn Mawr’s Nonprofit Executive Leadership Institute. Nathea moved to Philadelphia in 2005 to accept a position at the Kimmel Center for the Performing Arts and returned to the District in late-2017.
Toran Xavier Moore, Programs Coordinator, (email@example.com) is a multidisciplinary artist from Montgomery, AL. This southern native operates at the intersection of social justice and performance. Prior to joining IABD, Moore’s experience included being part of great social movements in cities across the country ranging from Philadelphia to Los Angeles. Previous works included Into Action (Philadelphia, PA), the Women's' March (Los Angeles, CA) and the ArtChangeUS Launch at the Ford Foundation (New York, City NY). When not aiding in movements, Toran is still a working stage manager and producer. He has collaborated with theatres across the U.S. including the Los Angeles Theatre Center, The Blazer Theatre of Atlanta, the Walt E. Disney Modular Theater, and many others.
Moore holds a Masters of Fine Arts from California Institute of the Arts and a Bachelors of Arts from Alabama State University. He is ecstatic to be joining the IABD family.
Carol Foster, Special Programs Assistant, (firstname.lastname@example.org) founded The D.C. Youth Ensemble in 1980. Ms. Foster worked in the D.C. Public School System for thirty-seven yearsand has recently retired. She has worked as the Arts Coordinator for the Duke Ellington School of the Arts. In addition, she has taught visual arts in DCPS and was on staff as Adjunct Professor of Dance at the University of the District of Columbia. Ms. Foster has personally worked as a choreographer, performer, writer, director, and visual artist. She has been involved with a number of special projects/programs related to the arts and arts education that were funded by the National Endowment for the Arts and Humanities, the Rockefeller Foundation, and the D.C. Commission on the Arts and Humanities. She is a founding board member the International Association of Blacks in Dance. Foster is also the recipient of the DC Mayor’s Art Award. Foster has given countless hours in community service and has offered advice and support to many aspiring arts students, instructors, future company directors, etc. Her favorite quote is an old African proverb that states “you must always proceed as though you cannot fail."
Ashon T. Mask, Bookkeeper, (email@example.com) is native of Lansing, Michigan and an alumnus of Howard University where he received his Bachelor of Fine Arts in Theatre Arts Administration. His studies focused on stage & event production, marketing/branding, finance/budget planning, and personnel management as they relate to arts organizations. Ashon has worked with a number of DMV area arts organizations as a freelance Stage Manager, Assistant Stage Manager, and Production Assistant.
Currently, in addition to his role at IABD, Ashon is the Staff Accountant with Dance/USA, the national service organization for the professional field of dance.
Lydia Z. Cuffy, General Management Fellow, While the pursuit of her professional dance career has always been at the forefront, Lydia has always placed an emphasis on being a jack of all trades. Born in the District and raised in PG County Maryland, she has been in the thick of the performing arts since she was born. Her passion for writing and information have only supported her work as a dancer, actor and vocalist. She has almost completed her BA in Dance and Choreography at Virginia Commonwealth University (VCU). Lydia recently returned from Paris, France where she completed coursework studying with many accomplished artists through the Dance in Paris Program hosted by the University of South Florida. While at VCU, Lydia has also had the opportunity to be cast and to perform in works by various faculty and guest artists, sit on student advisory boards, represent at conferences and festivals and to be awarded the Carpenter Foundation Scholarship for Achievement and Merit in 2015. In October 2017, Lydia launched her business Segullah Co., an apparel and accessories company that creates physical affirmations geared toward artists of color. Lydia looks forward to the rapid growth of her business, her dance career and IABD.