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|Meet the IABD Team|
In addition, she is a grant recipient of the National Endowment for the Arts, Smithsonian Institution National Museum of African Art, DC Commission on the Arts and Humanities, and the St. Paul Companies. She holds an M.F.A. from the University of California, Los Angeles in Arts Producing and Management, and a B.F.A. from Howard University in Theatre Arts Administration.
Omar Ingram, Programs Director (), originally from Atlanta, Georgia, serves in the capacity of Special Assistant, Programs for the International Association of Blacks in Dance (IABD). Most recently, he was the General Management Assistant at the Tony-Award winning Public Theater in New York City. Since 2012, he has worked extensively with IABD’s Annual International Conference and Festival of Blacks in Dance and The Pink Frog Foundation Benefit as Production Manager. In addition, his professional work has ranged from production stage manager to executive assistant working for premier artists such as Debbie Allen, Phylicia Rashad, and George Faison. Omar is a graduate of Howard University with a BFA in Musical Theater, and minor in Arts Administration. When he is not working, he enjoys exploring new countries, beaches and cooking.
, , ( ) founded The D.C. Youth Ensemble in 1980. Ms. Foster worked in the D.C. Public School System for thirty-seven yearsand has recently retired. She has worked as the Arts Coordinator for the Duke Ellington School of the Arts. In addition, she has taught visual arts in DCPS and was on staff as Adjunct Professor of Dance at the University of the District of Columbia. Ms. Foster has personally worked as a choreographer, performer, writer, director, and visual artist. She has been involved with a number of special projects/programs related to the arts and arts education that were funded by the National Endowment for the Arts and Humanities, the Rockefeller Foundation, and the D.C. Commission on the Arts and Humanities. She is a founding board member the International Association of Blacks in Dance. Foster is also the recipient of the DC Mayor’s Art Award. Foster has given countless hours in community service and has offered advice and support to many aspiring arts students, instructors, future company directors, etc. Her favorite quote is an old African proverb that states “you must always proceed as though you cannot fail."
Gregory A. King, ), received his MFA in Choreographic Practice and Theory from Southern Methodist University. In addition, he is certified in Elementary Labanotation. His dance training began in Washington DC at the Washington Ballet and later at American University. He went on to participate in the Horton Project in conjunction with the Library of Congress. His training continued at the prestigious institutions such as The Dance Theatre of Harlem and The Alvin Ailey School. Gregory has performed with The Washington Ballet, Rebecca Kelly Ballet, Erick Hawkins Dance Company, New York Theatre Ballet, Donald Byrd /The Group, The Metropolitan Opera Ballet, New York City Opera, and most recently in Disney’sThe Lion King on Broadway. Gregory is also a dance writer for The Dance Enthusiast, The Philadelphia Dance Journal, Broad Street Review, and thINKingDANCE.
He has conducted master classes at Boston Conservatory, Boston University, Indiana University, Bowdoin College, Dallas Black Dance Theatre, Texas Ballet Theatre, Cleveland School of the Arts, Booker T. Washington High School for the Performing Arts in Dallas, TX. Additionally, he has served as a teaching artist in public schools in and around Dallas, as Resident Guest artist at Temple University, part time faculty at Boston Ballet, Assistant Professor of Dance at Dean College, and Visiting Professor of Dance and Consortium for Faculty Diversity Fellow at Swarthmore College. Recently, Mr. King received the Excellence in Teaching Award from the National Society of Leadership and Success and is a proud member of Actors’ Equity, The National Dance Education Organization, and The National Council for Black Studies.His research agenda is grounded in embodied practice and his interest in dance as a social text. He is committed to exploring interdisciplinary approaches to his scholarship and teaching, hoping that his students will consider dance within its larger historical, cultural, and intellectual context. In his recent TEDx Kent State presentation, Mr. King referenced the intersectionality of race, gender, and sexuality, encouraging dialogue that affirms the ideological differences between identity and self. Mr. King’s goal is to make his research rich, interesting, and reflective of contemporary preoccupations in a variety of academic disciplines. He is currently an assistant professor of dance at Kent State University where he teaches Horton, Dance Composition, and Dance as an Art Form.
Ashon T. Mask, is native of Lansing, Michigan and an alumnus of Howard University where he received his Bachelor of Fine Arts in Theatre Arts Administration. His studies focused on stage & event production, marketing/branding, finance/budget planning, and personnel management as they relate to arts organizations. Ashon has worked with a number of DMV area arts organizations as a freelance Stage Manager, Assistant Stage Manager, and Production Assistant.
Currently, in addition to his role at IABD, Ashon is the Staff Accountant with Dance/USA, the national service organization for the professional field of dance.